Showing posts with label George Birkadze. Show all posts
Showing posts with label George Birkadze. Show all posts

Saturday, August 27, 2016

(LATE POST) Ballet Philippines' Firebird and Other Ballets



This post might be deemed irrelevant because of how late it is but I realized my purpose was to immortalize dance moments in cyberworld so here am I archiving my favorite photographs ....... reconstructing thoughts that were left in draft mode :) 

Firebird and other ballets was a basket of different delicacies. It was a bundle of something exotic, something gourmet,  something familiar, and an all time favorite. 

 Firebird was that exotic flavor  provided by George Birkdaze. Previously promoted as a Russian tale  repackaged with Filipino flavor, I instantly connected it  to the Sarimanok. Well, I was wrong, while it felt like nothing was Filipino enough, it did satisfy the senses with a strong eclectice asian vibe.  This aesthetic value of the this ballet was deserving of praise as the set of Ohm David was simply magnificent  perfectly complemented by the intricate costumes by Mark Lewis Higgins.  The well thought of picturesque quality draws you in. The choreography was dynamic allowing the music of Igor Stravinsky to shine. However, I felt as an audience member that there was somehow a lack of emotional commitment to the story. I can't say for sure if it was the lack of investment of the dancers or the lack of understanding of the story but I felt that the story telling lacked a bit of magic. I didn't see the fire in Firebird. 






Monica Gana with Jean Marc Cordero


Moving Two  choreographed by Dwight Rodrigazo has been part of the Ballet Philippines reportoire for a while now and it always just delivers.  This piece somehow just brings happiness as it sways your thoughts with their quirky  slides here and there. Victor Maguad and Jemima Reyes seemed to enjoy every bit of the this quirky contemporary piece extending  their limbs  comfortably.   It's  a refreshing piece that allows you to take a breather in between all the other quite serious themes. 






Ne Ne Ledeg by David Campos is a neo-classical piece that resembles a fleet of swans fluttering by. I have much appreciation for  this piece just because it showed a global tastelevel (in my humble opinion). Concept was simple but solid. Lines were interesting and showcased the length of the dancers. 



                             


Shifting Weight by Carlo Pacis is a revised version of an  original work. The theme of this piece is quite heavy. Months after having seen it I still remember how I felt watching the piece. Talking about the choreography, it was inventive with the use of the costumes  as  the means to shift weight. (Of course I have seen this piece performed before so the impact might not have been the same) . The stitiching of the steps seemed a good fit for the dancers.  I just felt that it was too heavy for the eyes and perhaps the heart, my heart in particular 


Gary Corpuz and Denise Parungao 










As I said the this Ballet Philippines offering for me was  like a carefully selected sampling of different things. With the variety, an audience like me is bound to like some more than the other  but just to be given the options was  a thrilling experience. 









Monday, August 15, 2016

Ballet Philippines Firing up the Asian Flavor


Allow me to do a mini throwback. Ballet Philippines started the year right by ending their 46th season with the remarkable production "Gabriel Barredo's Opera". The production in my humble opinion was a celebration of cultural liberty. It felt like artists were given  freedom to create with no restrictions. As a result, the dancing was so rich. Both Gabriel Barredo's artwork (which was massively intricate) and choreographer Redha's choreography were glorified. It really did leave an imprint on me. It was as if Ballet Philippines wanted to send out a revolutionary message in red paint. Innovation is going to be their weapon against anonymity. Creation of new works will be what will define the Company. To an audience member like me, this message is quite exciting. After all, new works created for a company help freeze a moment in time. It reintroduces their dancers to their audience in a different way. And so I am happy that Ballet Philippines has chosen to open their 47th Season "Wings" with an equally ambitious production. They will open this August 19, 2016 with "Firebird and Other Ballets".


Their first production will feature  four new works by able choreographers. On the front line is the classical ballet Firebird created by George Birkadze an international choreographer. This is Ballet Philippine's third time to present Firebird. It should be noted however that each version they have presented is completely different in approach. The choreographer has chosen to pepper the ballet with the Asian flavor rather than the ballet's Russian roots. I am curious to find out if I can see some Sarimanok feels, Asian or even Filipino traditionalism in this version. Mark Higgins in cooperation with SLIMS's Fashion and Art School has created intricately made costumes to dress up this ballet. Newly promoted Principal Dancer Rita Winder is casted for the title role of Firebird alternating with Jemima Reyes.



 



Adding to the international flavor, Spanish Choreographer David Campos is also sharing his piece entitled "Nenelehdej" with the company. David Campos is famous for his versions of full length ballets and his very eclectic neo-classical vocabulary.


"Nenelehdej" Choreography by  David Campos
Photography by Justin Bella Alonte  

Hong Kong Based Filipino choreographer Carlo Pacis  has revisited his award winning choreography from 2010. Ballet Philippines is set to perform  a fresh and extended  version of " Shifting Wait".


"Shifting Wait" Choreography by  Carlo Pacis
Photography by Justin Bella Alonte 

One of my personal favorites, Dwight Rodrigazo has created a new piece called "Moving Two". For me his pieces always have a sense of breath and rhythmic play whether the  theme is serious or not. I can't wait  to see what his new creation is about.


"Moving Two" Choreography by Dwight Rodrigazo
Photograph by Justin Bella Alonte 


The statement is big and bold. INNOVATION AND CREATION. Let's all come watch Ballet Philippines and see if their message is sustained in their season opener.  Be part of their creative journey. See you at the theater.

For inquiries and details. Pls see below.
Poster Images courtesy of Ballet Philippines  




Ballet Philippines’ The Firebird runs at the Cultural Center of the Philippines’ Tanghalang Nicanor Abelardo (CCP Main Theater) on Friday, Aug. 19 (8 p.m.) and Saturday, Aug. 20 (2 p.m. and 6 p.m.) and Sunday, Aug. 21 (2 p.m. and 6 p.m.). Please call (02) 551-1003, email info@ballet.ph, or send a person message on fb.com/balletphilippines for more information.