Showing posts with label sandbox collective. Show all posts
Showing posts with label sandbox collective. Show all posts

Wednesday, January 24, 2018

Finding a Miracle in Himala

All eyes on Elsa (played by Aicelle Santos)

Himala the musical will be returning to the stage thirty years after its conception. The musical is an adaptation of the Ishmael Bernal film that tells the story of Elsa who is said to be blessed with divinity and ability to heal. The movie revolves around the  effect of her miracles to Cupang, her poor unfortunate town. I attended their press conference and it was fascinating to witness how much interest still thrives after all these years. The energy in the room was palpable considering there were only a handful who have seen the movie and the previous stagings. It could be the novelty of it all or the respect for previous success. Nonetheless, the dynamic was captivating and I was completely satisfied being the observer. It seemed ironic to me that a roomful of people were finding out for themselves (in context and without the help of the actual play yet) if miracles were real. The actors even obliged and told their own touching stories about their lives. I remember thinking we seem like the perfect parallel to Elsa's Cupang (her community), awaiting for something convincing to hold on to. Thankfully, I did see something unravel that day. I can't quite call it a miracle yet because I have yet to see the show  but there is something enticing that has me rooting for cast. 

Miracle of Truth 

The esteemed scriptwriter and novelist Ricky Lee was present and he shared with us the  beginnings of the film. With his story clutched in his hand he pitched this project thirty years ago to so many directors only to be rejected over and over again. He finally won himself a chance when his script was given a second glance by the Experimental Cinema of the Philippines  who gave him a grant to start the project. It's easy to understand why it was so difficult to pitch this story. It was depicting the Filipino in such a negative yet truthful way. With characters who embody altruism, materialism, deception and yes even stupidity, it is difficult to present the film as inspiring. The fact that it was produced and loved by its viewers was a miracle. The fact that it was translated into a musical and a concert is a blessing. But the real gift is that the newest staging comes so timely  when it is necessary to remind people what  the nature of the herd really is. The musical after all these years is still about truth and  the downfall of humanity. Its relevance should be a good reason to watch the show. If people go beyond interest and actually come then that would be miracle #1. 



Glitterless is more. 

Designer-Director Ed Lacson Jr. will be directing this musical. After three years in the making he is ready to share with the public his vision of what "Himala" should be. What is nice about Ed Lacson's point of view is that he doesn't seem to think that he is part of the equation. He humbly expressed that he has very high respect for the story and the music. He does not find the need to interject anything distinctly  "Ed Lacson" because the material is already gold. It seems he does not feel the pressure to make it his story or version. In fact he makes it  a point to discuss his process of distilling the theatrics to allow the words and the melodies to be heard with no distractions. It's safe to say there will be no frills, fireworks and glitter. There won't be any distinct choreography. While most people's mantra is build build build on the material, he goes break break break. Break the mold and allow people to see what is in the core of  Himala. He desires nothing but to  simply introduce the concept of humanity through the characters of the story. He moves to engage the mind. 

I have seen a couple of his sets and I am familiar with his very well rounded aesthetic sense. So far I have seen nothing but  intricate gorgeous fusions of contemporary and surrealist sets. That being said, I'm super curious to know what he means when he says his overall visual approach will be minimalist. I am likewise excited to get to know how he will bring the characters to life. With a fluff-free approach all that's left is a showcase of raw talent. Consequently, the actors will  put on the spotlight. His pivotal role is to ensure that there is a deep understanding of the complexities of each role. 



This millennial looking lad really impressed me during the press conference because he very clearly sees this production as art and nothing commercial. His propensity towards authenticity is quite promising. Perhaps he might be the miracle worker and if he delivers in his staging that would be miracle #2


Vince de Jesus is a genius

Vince De Jesus is a musical genius. When words fail, he seamlessly creates melodies that echo what otherwise cannot be explained. His melodies are always sensitive and textured with life. Having said that, the excerpts that were performed are telling of how great this show CAN be. If all his songs are sung as beautifully then perhaps that can be a glorious miracle #3 

                     

Collaboration 
I've mentioned  what-if miracles  of the formidable triad  but I do know of one certified miracle that has already happened. Himala is a product of a collaboration between two very different entities. Sandbox Collective and Nineworks Theatrical  have joined hands for the first time to produce the show. Avid theater goers will tell you that while the two teams are practically sister companies, they represent different brands of thought. Sandbox Collective is an edgy company who concentrates on fresh ideas presented with a contemporary feel. Nineworks Theatrical on the other hand presents the big Broadway hits dressed in theatrical glamour.  Now that is what you call a miracle. With producers like that you know Himala will be something to look forward to. It's a wedding with something new, something old, something borrowed and something blue.  

So far, Himala is a promising project with plenty reasons to draw people in. How about buying that ticket so we can both find out if there's hidden miracle to be found? See you at the theatre everyone. 



Ako ay tinawag ng Birhen
Minsan, nagpaangap kung minsan
Floyd Tena as the Priest 

Pano nalang kung hindi totoo?
Bituin Escalante as Elsa's Mother 


Ang himala ay nasa puso ng tao.
Walang Himala



Check The Sandbox Collective for more details 


Cast : 

  1. Aicelle Santos as Elsa
  2. Kakki Teodoro as Nimya
  3. Neomi Gonzales as Chayong
  4. Sandino Martin as Pilo
  5. David Ezra as Orly
  6. Bituin Escalante as Elsa's Mother
  7. Floyd Tena as the Priest

Sunday, August 24, 2014

Loving Life: Dani Girl



Before the hype, I read the book "Fault in the Stars". I was crying like a lunatic backstage wallowing in inconsolable pain. This is why I didn't even dare watch the film. I thought it too heart breaking and masochistic. Then I saw an invite in my Facebook and got a first glimpse of Dani Girl. Bald beautiful Rebecca Coates,...... cancer. I am quite honestly a big fan of this actress so I  thought  it couldn't be all that bad. She was smiling in the photo after all.

The ads said it was a musical for the soul. So I came and watched it.  I left the theatre completely in love with the play. They spoke the truth, it was a musical for the soul. No it wasn't a praise the Lord Project. It wasn't  make them all sad for the cancer battles that are just unbelievably difficult. Neither was it a play who made fun of the cancer. I'll tell you what it was. It was actually not a story. It was more of sharing with a couple of hundred people a mental and emotional state of being.  Rebecca Coates took me to a place familiar. With her melodic voice and her youthful acting, she made me see MY life in a different perspective. In the play, her character tries to figure out Cancer. "Why does Cancer exist?". The answer is, it does because it exists as a stepping stone to something of value. You can never really figure out what life lessons something so bad can give you. The fact of the matter is, whether we recognize it or not, the good always measure more than the bad. Dani's cancer gave her a chance to see a whole other world out there. Yes it did put tears in her eyes repeatedly but it did give her an adventure with a friend. Dani's father left her but it was because of this that she felt how it was to be loved. The play made me emotional. They play made me laugh like a hyena. The play made me get mad. But most of all, it made me feel in love with life. I actually don't believe in "YOLO" because I associate it with people doing a bunch of stupid things. I believe in "You only live your life so BE AS BEAUTIFUL AS YOU WANT TO BE. BE GRATEFUL AS YOU CAN BE. BE AS POSITIVE AS YOU NEED TO BE".  The play was a beautiful reminder of my own life mantras. Sometimes things get so tough you forget even your own voice. 


Thank you Rebecca Coates for your honesty on stage. Thank you too for the beautiful music which filled my heart with  happiness.

Thank you Reb Atadero for representing all the voices in our heads. Thank you for that memorable latino show. It's like a youtube video that keeps on going on replay in my head. Thank you for making us laugh at you, and at ourselves. 

Thank you Luigi for being a hero. Enough said. 

Congratulations Sandbox Collective. You have transformed my adult self to a weeping 5 year old.  You have erased the sadness acquired from reading Fault in the Stars and replaced it with  hope and love. Thank you and more power. 


Directed by Toff de Venecia
Music by Michael Kooman
Book and Lyrics by Christopher Dimond
Pictures from  Sanbox Collective