artaturningpointe: La Bayadere

Showing posts with label La Bayadere. Show all posts

Monday, August 7, 2017

Philippine Ballet Theatre's La Bayadere in Photos

Philippine Ballet Theater succeeds in their staging of La Bayadere. See snippets of their performance below.

Peter San Juan as Fakir

Julafer Fegarido as Fakir

Kazier Policarpio as Golden Idol

Jared Tan as Solor and Kim Abrogena as Nikiya

Joel Matias as High Priest and Kim Abrogena as Nikiya

Kim Abrogena as Nikiya

Veronica Atienza as Gamzatti and Kim Abrogena as Nikiya

Veronica Atienza as Gamzatti and Jared Tan as Solor

Jared Tan as Solor

Joel Matias as High Priest and Lobreza Pimentel as Nikiya

Lobreza Pimentel as Nikiya

Lobreza Pimentel as Nikiya

Lobreza Pimentel as Nikiya and Matthew Davo as Solor

Matthew Davo as Solor

Regine Magbitang as Gamzatti

Veronica Atienza Lead Shade

Mikaela Samson Lead Shade

Lobreza Pimentel Lead Shade

Sunday, July 9, 2017

Philippine Ballet Theatre Revisits La Bayadere

COURTESY OF PHILIPPINE BALLET THEATRE

Philippine Ballet Theater restages "La Bayadere" to open its 31st season. This 19th century classic has been regarded as one of PBT's trademark performances.The he Philippine audience has been waiting for its return to the stage. The word "bayadere" is a French word that translates to "temple dancer". But the word was rooted from a Portuguese word that means "dance" Indeed, this ballet makes the dancers dance to the bone. Marius Petipa's choreography demands pristine lines and tempered dancing from the corp de ballet and the the exact opposite from its leads. The title roles in stark contrast are made to dance a spectacle of sorts while displaying a wide range of emotions. Indeed the technical and artistic requirements of this ballet is sky rocket high. It has been performed in full and in part several times before by PBT and has consistently reaffirmed the quality of the Company's dancers. It has ably showcased and even launched different generations of dancers including international star Jared Tan (former soloist of Philippine Ballet Theatre) who has come home join the production. This new cast now has the opportunity to show people they can continue the tradition of excellence.

PHOTO BY STAN DE LA CRUZ

Jared Tan is a homegrown talent who was lucky enough to have

found a solid spot in Atlanta Ballet's roster. Critics abroad are now zooming in on his rise. Recently he was given ample praise from critics for his performance in AB's "Firebird" and "Vespertine" The good reception of two pieces that showcase both his classical and modern technique is quite a good indication of where he is going as an artist. Needless to say it is heartwarming that he chooses to give his country and first ballet home the time of day. He comes full circle this time around as he revisits a ballet that helped him rise through the ranks when he was with PBT. In 2004 he first tackled the ballet when he performed the epic character "Golden Idol". In 2008 he performed the lead role of "Solor" as well and was finally baptised as of the Company's reliable constants. Equipped with improved technique and richer experience he now returns as an international guest star. When asked how he thinks this performance will be different from his previous attempts he says "I approach this performance in a different manner. I am more confident with my technique and so I have the opportunity to deepen my artistry. Also this time I am not performing with my sister and so I can assume the role in a different way. I'm also very intent on making sure my partnership with my partner translates well to the audiences." If there is one thing on his mind it is that he wants his shows to make a difference for the company. He emphasized that he comes back periodically because he wants to contribute to the dance community. "I may not be a big star in my Company yet but I do hope that my performances can inspire people. I'm giving my 100% to make sure that people leave satisfied with the Filipino artist"

PHOTO BY JUSTINE BELLA ALONTE

While Tan's familiarity to the ballet is a plus, the rest of the cast will be entering the stage as debutantes. He will be partnering two of PBT's rising stars. Award winning dancers Kim Abrogena and Veronica Atienza will debut as "Nikiya and Gamzatti" in their first lead roles in a full length ballet. Matthew Davo will take on the role of "Solor" in his first principal role appearance. He will be partnered by Pbt's dynamic duo Lobreza Pimentel (as Nikiya) and Regine Magbitang (as Gamzatti) . Having said that this performance will be a moment in all their careers. A seasoned dancer showing his country his heart, local stars conquering new challenges and rising stars off to make their mark makes for an interesting brew of heart. Let's all be there for them and see if they make "La Bayadere" as magnificent as it should be.

PERFORMANCE SCHEDULE:

July 15, 2017 (Saturday) | 3:00PM & 8:00PM
July 16, 2017 (Sunday) | 3:00PM

Ticket discounts for students and senior citizens are available!

For ticket inquiries and orders please contact:
PBT office at (02) 632-8848 ; 09493252545; 09951580538
Email: secretariat@pbt.ph

CCP Box Office at (02) 832-3704
Ticketworld at (02) 891-9999

REGINA MAGBITANG
The role is quite challengng. There's a lot of character dramatization, in addition to the technical side of dance. I am very grateful that I was entrusted tp play the role of Gamzatti. I hope and pray I will be able to do justice to the role

KIM ABROGENA
I feel humbled to be portraying the role of Nikiya. I find it both technically and artistically challenging since it will be my first time to do a major role with the company. However, with all coaching and guidance given by our Artistic Director and Ballet Master, I believe I was able to discover more about myself, enhance my strengths, and work and improve more on my weaknesses.

VERONICA ATIENZA
I feel very thrilled and fortunate. Gamzatti has always been one of my dream roles in ballet, and now that I have the chance to portray her character in this production, I am more than happy and excited to perform it on stage

LOBREZA PIMENTEL
I am grateful to be given the role of Nikiya. It is my first time playing Nikiya and I will do my best to portray the character accurately and in my own unique way. I think showing what I can do technically and artistically on stage will always be my favorite part of ballet. I would love to capture the attention of the audience and help them understand the whole story of La Bayadere. I am excited to see it all come together and hope that it will be an enjoyable show for everyone.

MATTHEW DAVO
I am blessed to be portraying the role of Solor, my first lead role in a full-length production. Aside from the opportunity to partner with so many talented dancers, my six years with PBT have allowed me to grow beyond my expectations. I'm very thankful for the trust that our Artistic Director and Ballet Master have given me. I feel motivated to prove that I can rise to the challenge and make them proud.

PORTRAITS BY ERICA JACINTO

Friday, July 7, 2017

Philippine Ballet Theatre's "Bayadere Hugot Lines"

Photo by Stan de la Cruz

A few years ago, in an interview, I was asked why people would want to watch our ballet show "La Bayadere". If I'm not mistaken it was in ASAP one of ABS CBN's fun variety shows. I tried my best to be witty and answered, "If you are a lover of romance, a lover of drama, a lover of action then this ballet is for you. The story we wish to share is one that can rival the teleseryes of this time." Years have passed and I realize my answer is even more true today. Anybody who has watched or is familiar with "La Bayadere" will tell you that the story is a tragedy far worse than the normal heart ache.

La Bayadere is set in royal India. A temple girl (Nikiya) and a noble warrior (Solor) falls in love and they swear their fidelity to each other. Meanwhile the high priest is also in love with Nikiya and vowed to destroy the union. Solor is ordered by the Rajah to marry his daughter as a reward for his good service. Overwhelmed by her beauty and aware of his duties, he agrees. This is the beginning of a tug-of-war of love. Each character ends up hurt and all eventually pay the consequences of their actions. There is destiny, death and destruction. Sounds melodramatic doesn't it? Well, it is! It's a story that people can easily relate to. Indeed the story is all about dramatics. This ballet has so much texture and so much depth. Unfortunately not many are familiar with it.

I'm hoping that more people will come and see what this technically and artistically demanding ballet has to offer. Since hugot (both a noun and a verb that describes expression of innermost feelings) lines have become a social phenomenon, I decided to have a little fun and ask the cast what hugot lines would best describe the ballet. Perhaps this would make the seemingly elitist ballet closer to the audience it seeks to capture. This post is dedicated to hugot hungry millennials. Have fun reading the collection of lines shared by the cast. Have even more fun watching the show.